She painted pop star Ariana Grande for her iconic “God is a Woman” music video, which has over 250 million views.Īlexa has lectured at TED, Apple, Stanford, and Princeton and accepted an invitation to the White House under President Obama. Alexa has been commissioned by BMW, Sony, Adidas, and the San Francisco Symphony Orchestra. She has created large scale interactive installations at Coachella, Cannes Lions, and Art Basel.
Her solo show on Rodeo Drive in Beverly Hills was attended by forty-thousand people.
Her groundbreaking work has been exhibited around the world at the Grand Palais in Paris, the United Nations in New York, the Smithsonian National Portrait Gallery in Washington, DC and Shibuya Crossing in Tokyo. It didn’t really seem like it was a career path, but it felt like something I just had to do.” Alexa Meade SEEING MORE DIMENSIONS – IN COLOR, AND LIFEĪlexa Meade paints on the human body and three-dimensional spaces, creating the illusion that our reality is a two-dimensional painting. “And instead of getting a real job, I decided to make my job painting on grapefruits, and eggs, and things you’re not meant to put paint on. “It felt like an incredible risk because I had been building up my entire life to this one moment of making my debut and having a real job, as my parents called it,” she says. She abruptly stepped off her path to politics, moved back home and set out on a new journey. Meade could make people and things look like two-dimensional paintings of themselves.
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After I discovered this, I think I just had to leave politics behind and make my job teaching myself how to paint, through the process of inventing this new style of painting.” Just by creating a mask of light with paint, it completely transformed the space.
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“And then painting not only shadows but also a full mapping of light in grayscale, highlights, darks, everything coming together in a mask of paint. “I decided to see what it would look like if I put black shadows on the human body,” she says. (Her professor didn’t like her initial project proposal, but she’s quick to credit him as a subsequent mentor in the ways that she thinks about space, light and shadow.) “I came up with this idea of putting black paint on the ground where the shadows were,” she says. She thought about capturing a landscape through its shadows rather than objects themselves. I had no idea what that meant, and I kept asking for clarification, and he told me it was up to me to figure out.” Alexa Meade “The professor asked us to create a sculpture that felt like a landscape but was not a sculpture of a landscape. Meade’s sharp turn in her story came from something deeper, an urge that was sparked in an elective art class in college. “I just felt like even though this was supposed to be my dream, it didn’t quite fit with who I thought I was on the inside,” she says.
Growing up in Washington, D.C., Meade says she laid out a “super-neat path” for herself: “I interned on Capitol Hill for four summers, and then I worked on probably a half-dozen campaigns and studied political science, and I went to Europe to study the European Union.”īut something wasn’t right. I paint directly on top of live models to create the illusion that real-life people are inside the world of a 2D painting. Alexa Meade “A radical approach to portraiture…Transforming 3D reality into 2D abstraction.”
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